the
credits
Imagination Pictues Music
(1985-1989/2001, Invisible Shadows ISCD
010111)
1.
Birth
2. Planets I
3. Planets II
4. Planets III
5. Outer Worlds
6. First Impressions Of A Human Being
7. Memories
8. In Your Head
9. Crystal Water
10. Grieselgram (An Experiment) |
10:06
3:20
2:26
3:07
3:49
5:02
5:14
4:00
3:06
4:44 |
Recorded 1984-1989 by Georg Reiter (keyboards, drumming),
Stephan Ambs (guitar, keyboards) and Marcus Stahuber (keyboards)
at EMP Studio, Schliersee
Mastered 2000 by EROC
at EROC's Mastering Ranch, Breckerfeld
Graphics by Georg Reiter / Cover by Lothar Lubitz
The music was part of several exhibitions of artists from Munich
re-release of 'Phantasie
- Bilder - Musik' (1994)
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
|
Birth
(Ambs, Reiter, Stahuber)
Planets I
(Reiter)
Planets
II
(Engl, Geldhauser,
Reiter)
Zither: Andrea Engl
Keyboards: Thomas Geldhauser
Planets
III
1985 (Geldhauser, Reiter)
Keyboards & Drumming: Georg Reiter
Keyboards: Thomas Geldhauser
Outer Worlds
(Reiter)
First
Impressions Of A Human Being
(Reiter)
Memories
(Stahuber)
In Your
Head
(Reiter)
Guitar: Alex Mamach
Crystal
Water
(Reiter)
Grieselgram
(An Experiment)
(Ambs, Stahuber)
|
=
Geburt
taken from 'Phantasie
- Bilder - Musik' (1994)
=
Planeten I
taken from 'Phantasie
- Bilder - Musik' (1994)
=
Planeten II
taken from 'Phantasie
- Bilder - Musik' (1994)
=
Planeten III
taken from 'Phantasie
- Bilder - Musik' (1994)
=
Äußere Welten
taken from 'Phantasie
- Bilder - Musik'
= Erste Eindrücke eines Menschen
taken from 'Phantasie
- Bilder - Musik' (1994)
=
Erinnerungen
taken from 'Phantasie
- Bilder - Musik' (1994)
= In deinem Kopf
taken from 'Phantasie
- Bilder - Musik' (1994)
= 'In My Head' from 'Spheres' (2003)
= Kristallsee
taken from 'Phantasie
- Bilder - Musik' (1994)
= Grieselgram (Ein Experiment)
taken from 'Phantasie
- Bilder - Musik' (1994)
|
cover/press
text:
The music of Foreign Spaces possesses a magical charm to which one is
irresistibly drawn.
As a retrospective on more than a decade of Foreign Spaces, the
opening piece 'Birth' is particularly successful - it signals the birth of
a new era in electronic music. While the original heroes ventured into
commercialised styles, Foreign Spaces began to unfold the vast treasury of
sounds in the electronic field.
Indeed, Foreign Spaces signifies the opening of doors to foreign worlds
and the perfect integration of the new with the old, be it a zither, the
noises of a baby or guitars. The naturalness displayed in the weaving of
aural atmospheres in the truest sense of the word is uncanny.
This lies, last but not least, in the mastering by EROC, a pioneer of
electronic music, who truly understands how to put the finishing touches
to the excellence of Foreign Spaces' production - two generations of EM
meet each other and create a flawless harmony.
Not just for lovers of electronic music, will the world of sounds from
Foreign Spaces contain aspects of aural aesthetics into pure culture.
Stephan
Dargel, October 2000
Translation by Serene Negraszus-Chew
|
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Imagination
- Pictures - Music
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