the credits



Imagination Pictues Music
(1985-1989/2001, Invisible Shadows ISCD 010111)

 1. Birth
 2. Planets I
 3. Planets II
 4. Planets III
 5. Outer Worlds
 6. First Impressions Of A Human Being
 7. Memories
 8. In Your Head
 9. Crystal Water
10. Grieselgram (An Experiment)

10:06
3:20
2:26
3:07
3:49
5:02
5:14
4:00
3:06
4:44

Recorded 1984-1989 by Georg Reiter (keyboards, drumming), 
Stephan Ambs (guitar, keyboards) and Marcus Stahuber (keyboards)
at EMP Studio, Schliersee
Mastered 2000 by EROC
at EROC's Mastering Ranch, Breckerfeld
Graphics by Georg Reiter / Cover by Lothar Lubitz

The music was part of several exhibitions of artists from Munich
re-release of 'Phantasie - Bilder - Musik' (1994)

 1.
   
 2.
 
 
3.
 
 
 
 
4.


 
 
5.
 
 
6.

 
7.
 
 
8.


 
9.

10.

Birth
(Ambs, Reiter, Stahuber)
Planets I
(Reiter)
Planets II
(Engl, Geldhauser, Reiter)
Zither: Andrea Engl
Keyboards: Thomas Geldhauser

Planets III
1985 (Geldhauser, Reiter)
Keyboards & Drumming: Georg Reiter
Keyboards: Thomas Geldhauser

Outer Worlds

(Reiter)
First Impressions Of A Human Being
(Reiter)
Memories
(Stahuber)
In Your Head
(Reiter)
Guitar: Alex Mamach
Crystal Water
(Reiter)
Grieselgram (An Experiment)
(Ambs, Stahuber)


= Geburt
taken from 'Phantasie - Bilder - Musik' (1994)
= Planeten I
taken from 'Phantasie - Bilder - Musik' (1994)
= Planeten II
taken from 'Phantasie - Bilder - Musik' (1994) 


= Planeten III
taken from 'Phantasie - Bilder - Musik' (1994)


= Äußere Welten
taken from 'Phantasie - Bilder - Musik' 
= Erste Eindrücke eines Menschen
taken from 'Phantasie - Bilder - Musik' (1994)
= Erinnerungen
taken from 'Phantasie - Bilder - Musik' (1994)
= In deinem Kopf
taken from 'Phantasie - Bilder - Musik' (1994)
= 'In My Head' from 'Spheres' (2003)

= Kristallsee
taken from 'Phantasie - Bilder - Musik' (1994)
= Grieselgram (Ein Experiment)
taken from 'Phantasie - Bilder - Musik' (1994)


cover/press text:

The music of Foreign Spaces possesses a magical charm to which one is irresistibly drawn.

As a retrospective on more than a decade of  Foreign Spaces, the opening piece 'Birth' is particularly successful - it signals the birth of a new era in electronic music. While the original heroes ventured into commercialised styles, Foreign Spaces began to unfold the vast treasury of sounds in the electronic field.

Indeed, Foreign Spaces signifies the opening of doors to foreign worlds and the perfect integration of the new with the old, be it a zither, the noises of a baby or guitars. The naturalness displayed in the weaving of aural atmospheres in the truest sense of the word is uncanny. 
This lies, last but not least, in the mastering by EROC, a pioneer of electronic music, who truly understands how to put the finishing touches to the excellence of Foreign Spaces' production - two generations of EM meet each other and create a flawless harmony. 

Not just for lovers of electronic music, will the world of sounds from Foreign Spaces contain aspects of aural aesthetics into pure culture.

Stephan Dargel, October 2000
Translation by Serene Negraszus-Chew


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